a. Dialogue Editing and Cleaning;

b. Sound Effects Design;

c. Foley Recording and Editing;

d. Background Ambience Recording and Mixing;

e. Music Mixing

f. Final Mix.

a. Receive all the final tracks of the dialogue, sound effects, and music.

b. Balance the levels and EQ to ensure clarity and consistency.

c. Apply dynamics processing to ensure consistent levels.

d. Apply reverb, delay, and other effects to create a cohesive sound.

e. Create a stereo or surround sound mix that matches the director's vision and meets the delivery requirements.

a. Review all recorded dialogue and select the best takes.

b. Edit the dialogue to remove unwanted noises, clicks, pops, and hums.

c. Smooth out any awkward pauses, stammers, or interruptions.

d. Balance the levels and tone to ensure clarity and consistency.

e. Add room tone or ambience to fill gaps or transitions.

a. Create and source sound effects that enhance the visual storytelling of the film.

b. Edit and sync the sound effects to match the visuals.

c. Clean up any unwanted noise or distortions in the sound effects.

d. Balance the levels and EQ to ensure they are fitting with the mix.

a. Work with the director to create a sound palette that supports the narrative and emotional impact of the film.

b. Create unique sound elements that enhance the visuals.

c. Use a combination of sound effects, Foley, and music to create a unique sonic identity for the film.

d. Use sound to help create tension, mood, and atmosphere to support the narrative.